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cinema

The Last Mob Movie

Film Review

The Irishman Directed By Martin Scorcese (2019)

Martin Scorcese’s “The Irishman” arrived on DVD and blu ray last week. I saw this film in November 2019 when it was released theatrically in limited release. It played at my local theater which screens art films. “The Irishman” was financed by Netflix and aired on Netflix not long after its theatrical release.

As an avid cinephile I make it a point to see films for the first time in the theater. Widescreen televisions and home theater are great but they can never substitute for the theatrical experience. Going to the movies is always a good time but there are filmgoing experiences which are better than others and then they are great.

“The Irishman” was my last great cinematic experience before the damn coronavirus set in. I saw movies after that and some were good but they do not compare with the experience I had when seeing “The Irishman”. This was a special occasion as it was the last hurrah for the legendary Scorcese and his longtime actors Robert Deniro, Joe Pesci, and Harvey Keitel. In addition, Al Pacino was in this film as Jimmy Hoffa.

“The Irishman” could be known as the last great mob film. There have been many great mob films such as the first two “Godfather” films, “Donnie Brasco” and “A Bronx Tale” but Scorcese will forever be identified as the director of the most realistic and intense mob films. “The Irishman” finishes off Scorcese’s mob films which began with “Mean Streets” in 1973 and include “Raging Bull”, “Goodfellas”, “Casino”, “Gangs of New York”, and “The Departed”.

“Mean Streets” starred Robert Deniro and Harvey Keitel. Deniro reappeared in “Raging Bull” and Joe Pesci won a best supporting actor nomination for his role in that film. It was “Goodfellas” that became the greatest mob film of all time and won Joe Pesci a best supporting actor Oscar. “Casino” was a great film as well.

“The Irishman” was based on a book whose facts are disputed by many. That is beyond the point. “The Irishman” is still a powerful and well directed film that focuses on the Mafia at the height of its power in America. The film runs at three and a half hours and the theatrical experience was absolutely riveting.

Scorcese’s films are not only entertaining, they are educational. No matter how many mob movies he directs there is always something more to learn about the mob. Like his previous films, Scorcese crams information into his films and there is never a dull moment.

The film depicts some of the most important events in the history of the American Mafia which makes it a part of American history. The acting is superb and both Al Pacino and Joe Pesci were nominated for best supporting actor at the Oscars. Scorcese has an almost theological interpretation of the events he is educating his viewers on.

Previous films such as “Goodfellas” and “Wolf of Wall Street” had to do with main characters who sold their souls and were to pay a price. At no point does the violence in “Goodfellas” or the debauchery in “Wolf of Wall Street” look glamorous. “Raging Bull” was largely about the redemption of its main character. Scorcese makes films about sinners and the price to be paid for selling ones soul.

Many of his films have Christian imagery. “Mean Streets” is a perfect example where the character of Charlie (played by Harvey Keitel) aspires to join the Mafia while trying to remain a faithful Catholic. In “The Irishman” the main character of Frank Sheeran having lost his family as a result of his life choices and having survived the demise of his Mafia bosses and associates spends the final period of his life alone.

He confesses his sins to a priest and there is religious imagery throughout the film. Classic Scorcese. Scorcese makes moral films and in many ways his films are very Christian. He is a masterful director and story teller.

Martin Scorcese did not get the honors he deserved in 1990. “Goodfellas” should have been best picture for that year, and Scorcese should have been best Director. Which brings us to the Oscars for the best films of 2020.

The best film of the the year was unbelievably the Korean film “Parasite”. No disrespect intended as “Parasite” was a good film but not the best movie of the year. “The Irishman” should have been best picture and Scorcese should have been best Director.

In any case, “The Irishman” was a wonderful trip down memory lane. A great theatrical experience which brought back fond memories of Scorcese’s earlier films. “The Irishman” is probably the farewell of Scorcese’s mob films and the end of the historic collaboration with Robert Deniro and Joe Pesci. A great film that evolved from the earlier mob classics but never became repetitive or boring.

“Mean Streets” began with low level mob associates on the fringes. “Goodfellas” was about a crew under a capo played by Paul Sorvino and was a vivid description and recollection of mob life. “Raging Bull” was the mob in boxing and “Casino” was the mob in Vegas. Whereas “Goodfellas” looked at the life of an associate who was part of a crew under a powerful capo, “Casino” showed the power of bosses who ruled entire crime families and who controlled Vegas through the activities of soldiers and associates.

“The Irishman” focuses on bosses played by Joe Pesci and Harvey Keitel and their relationship with Teamsters boss Jimmy Hoffa. There are numerous other bosses depicted throughout the film and a great many historical events are depicted including the complicated relationship between the mob and the Kennedys.

“The Irishman” is a masterpiece from the master himself. A glorious farewell to the genre.

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cinema

The Great Horror Films of all time (Special Halloween Entry)

Reviews for individual films may be done at a later time. For Halloween, my list as cinephile and horror fan of the greatest horror films of all time. A brief summation will follow the list.

1) The Exorcist (1973)

2) Night of the Living Dead (1968)

3) The Evil Dead (1982)

4) The Haunting (1963)

5) Frankenstein (1931)

6) Dracula (1931)

7) Horror of Dracula (1958)

8) Jaws (1975)

9) An American Werewolf in London (1981)

10) Hereditary (2018)

11) Dawn of the Dead (1979)

12) The Curse of Frankenstein (1957)

13) Psycho (1960)

14) Rosemary’s Baby (1968)

15)The Wicker Man (1973)

16) The Conjuring (2013)

17) The Wolf Man (1941)

18) Texas Chainsaw Massacre (1974)

19) The Blair Witch Project (1999)

20) The Old Dark House (1932)

21) Demons (1985)

22) Creepshow (1982)

23) The Last Exorcism (2010)

24) The Bride of Frankenstein (1935)

25) Drag me to hell (2009)

26) Evil Dead 2 Dead by Dawn (1987)

27) 28 Days Later (2003)

28) The Woman in Black (2012)

29) Suspiria (1977)

30) Insidious (2011)

31) Son of Frankenstein (1939)

32) Silence of the lambs (1991)

33) Sleepy Hollow (1999)

34) Halloween (1978)

35) House of 1,000 Corpses (2003)

36) Frankenstein Must Be Destroyed (1969)

37) Return of the Living Dead (1985)

38) Salem’s Lot (1979)

39) The Raven (1935)

40) Nosferatu (1922)

41) Dracula Prince of Darkness (1966)

42) The Blob (1958)

43) Nosferatu (1979)

44) The Others (2001)

45) Pet Semetary (1989)

46) Abott and Costello Meet Frankenstein (1948)

47) The Last Man on Earth (1964)

48) 1408 (2007)

49) The Black Cat (1933)

50) Requiem (2006)

51) Army of Darkness (1993)

52) The Revenge of Frankenstein (1958)

53) Carrie (1976)

54) House on Haunted Hill (1958)

55) Martin (1978)

56) Vampyr (1932)

57) The Exorcism of Emily Rose (2005)

58) The Mummy (1932)

59) House of Frankenstein (1944)

60) Dracula has risen from the grave (1968)

61) House of Wax (1953)

62) The Mist (2007)

63) Signs (2002)

64) The Brides of Dracula (1961)

65) Fright Night (1985)

66) From Dusk Till Dawn (1995)

67) Island of lost souls (1933)

68) Damien Omen 2 (1978)

69) Young Frankenstein (1974)

70) The Mummy (1999)

71) Planet Terror (2007)

72) Plague of the Zombies (1966)

73) Frankenstein Meets the Wolf Man (1943)

74) Count Dracula (BBC Film) (1977)

75) The Devil Rides Out (1968)

76) Shaun of the Dead (2004)

77) The Conjuring 2 (2016)

78) The Devil’s Advocate (1997)

79) Taste the Blood of Dracula (1969)

80) Dark Shadows (2012)

81) Diary of the Dead (2008)

82) The Ninth Gate (2000)

83) The Phantom of the Opera (1925)

84) The Invisible Man (1933)

85) Stephen King’s IT (1990)

86) Isle of the Dead (1945)

87) Day of the Dead (1985)

88) The Devil’s Rejects (2005)

89) Dracula (1979)

90) Dawn of the Dead (2004)

91) The Mummy (1959)

92) Murders in the Rue Morgue (1932)

93) Interview with the Vampire (1994)

94) Misery (1990)

95) Creature from the Black Lagoon (1954)

96) Curse of the Werewolf (1961)

97) Ghost of Frankenstein (1942)

98) Zombieland (2009)

99) Night of the Living Dead (1990)

100) The Wolfman (2010)

Summarization of my horror list

Horror films vary from scary and terrifying (The Exorcist, Hereditary) to films that are more lighthearted (Evil Dead 2 Dead By Dawn). There are only a handful of serial killer films (slasher films) on this list. These include classics and masterpieces such as “Psycho”, “Texas Chainsaw Massacre”, “Halloween”, and “Silence of the the Lambs” that stand out because of their sophistication and intelligence.

Slasher films are usually garbage but these handful of films are exceptions. Many of the films on this list are from the golden age of horror of the 1930’s and 1940’s produced by Universal Studios. Some are from Hammer Film Studios, the British studio that remade Frankenstein and Dracula.

Some films that would be near the top of most horror film lists such as the “Shining” and the “Omen” do not appear on this list. “The Sixth Sense” does not appear on this list either. These are three very overrated films.

“The Shining” is probably the most overrated film in horror history. Two and a half hours of a film that has only three main characters. It is never clear if one has not read the novel whether Jack Torrence (played by Jack Nicholson) is losing his mind or if the ghosts he sees are real. A tremendously overrated film with too much overacting. Jack Nicholson is good in the film but he is less scary than he is unintentionally funny. In addition, I simply do not care for Director Stanley Kubrick whose films in general are depressing and undermine the pleasures involved in going to the movies.

The best horror film in recent years is “Hereditary” which is one of the scariest movies made in a long time. The story about a dysfunctional family and a grandmother who was active in the occult is one of the best horror films ever made. Other great films in recent years include “The Blair Witch Project” which was a tremendously scary film when it was released in 1999.

“The Exorcist” remains the greatest horror film of all time. a truly theological film with great drama and suspense. “Night of the Living Dead” is the follow up at number two. A classic filmed in black and white and the film that came to define the zombie genre the story has much to say about man’s nature in times of crisis. The film can be seen in many ways as a metaphor for the expulsion of man from paradise.

A happy and safe Halloween to all!

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cinema

Christian faith and horror films

Today is October 1 and the season of Halloween is near. There is a great deal of debate among Christians about the appropriateness of Halloween. Some say that its roots are pagan and inappropriate for Christians while others say it is harmless.

I am in the middle of this. I usually commemorate Halloween by watching classic horror films and rereading classic horror stories such as Bram Stoker’s Dracula and Mary Shelley’s Frankenstein. These are respected classics of English literature and have inspired great horror films that made Boris Karloff, Bela Lugosi, Peter Cushing, and Christopher Lee famous. I credit horror cinema for giving me an interest to read the Bible and take an interest in my Orthodox faith.

At some point during the month, I am going to make a list of the greatest horror films of all time. To start Halloween off though I will simply review some horror films with Christian themes. The first film I will mention is the one that I wrote about in the first post that appeared on this blog back on May 11.

The 1973 horror classic “The Wicker Man” starred Edward Woodward and Christopher Lee. The film is British and the story is set on a Scottish island in which a Police Officer (played by Woodward) has been summoned to investigate the case of a missing girl. The officer is a devout Christian and Churchgoer and comes to discover that the island not only has no Churches or Christian clerics but is inhabited by Pagans!

The Officer is stunned by the immorality of the pagans and their bizarre lifestyles. Officer Howie eventually meets the leader of the pagan cult (Christopher Lee) who openly expresses disdain for Christianity and approval of the false pagan gods worshipped by the cult. Officer Howie acts appropriately like a Christian and expresses outrage at everything that he sees and hears. This film is in many ways a foreshadowing of the very real anti Christian sentiments that we are beginning to see in our own day.

Bram Stoker’s “Dracula” has inspired many cinematic versions starting with the 1922 silent feature, “Nosferatu” that starred Max Shreck. A remake of “Nosferatu” was released in 1979 that starred Bruno Ganz and Klaus Kinski. The most famous “Dracula” of all time however was the 1931 classic that starred Bela Lugosi. Lugosi defined the very character of Dracula.

In 1958 the British film company “Hammer Films” made “Horror of Dracula” a new version based on Stoker’s novel. This version is my favorite version. The original was great but I like this one mostly because of the ending. Dracula is a classic Christian story based on Christianity vs Satanism. Dracula is a vampire who represents the Devil.

The hero of the story is Van Helsing, well educated Doctor who understands that medicine has its limits and some problems which afflict people are spiritual. Van Helsing is a Doctor who carries a crucifix and holy water. It is his mission to destroy Dracula. The ending of the 1958 “Horror of Dracula” shows Van Helsing (Peter Cushing) making a cross out of two candlesticks and opening the curtains in Dracula’s library to let the sunlight in.

The power of the cross and the power of the sun light emanating from God destroy Dracula who cannot stand the power of Christ. The power of the cross destroys the evil and death that Dracula represents. This scene reminds me of the vision that Saint Constantine saw before going to battle with his troops in 312 AD which depicted the cross and a voice that said “by this sign conquer”.

Mary Shelley’s Frankenstein was originally written in 1816 and became a classic about the irresponsibility of man. Film versions have made significant changes to the story but the original themes remain intact. Frankenstein is about man’s blasphemy in trying to emulate God.

The 1931 film by Universal Pictures (which also made Dracula) starred Boris Karloff as the monster. Colin Clive played the Doctor who was either an atheist or an agnostic and who dared to interfere with life and death. The result of his actions bring nothing but death and grief to the Doctor and those around him.

The Hammer Films version called “The Curse of Frankenstein” which was released in 1957 is not as good as the Karloff version but Peter Cushing stands out as the greatest Dr. Frankenstein ever depicted on film. Whereas the Doctor in the 1931 film version was a seriously misguided individual who later repented in the 1935 sequel the “Bride of Frankenstein” the Cushing version of the Doctor is nothing more than a complete psychopath.

The Doctor in the novel and the 1931 film steals body parts to make his creature. The Cushing version of the Doctor actually murders an elderly Professor to steal his brain. This series of Frankenstein films which lasted until 1973 are actually very fun. Whereas the previous versions of the Doctor in the novel and the 1931 film showed him as being motivated to help mankind, the Cushing version shows him as the ultimate blasphemer in trying to make himself god. The Hammer Film series of films may be the most Christian versions of Frankenstein ever made.

Then there is “Rosemary’s Baby” released in 1968 and based on the novel by Ira Levin. The story centers around a rather gullible flake named Rosemary who comes from a staunch Roman Catholic family but gradually drifts away from her Christian faith. She marries a secular guy who has to be the most evil and horrible husband in the history of cinema (horror and non horror).

Her husband Guy wants to be an actor and after he and Rosemary move into a new apartment building they befriend and elderly couple. Elderly people who look nice and harmless. I am reminded from Saint Paul in the New Testament who writes, “And no wonder, for even Satan disguises himself as an angel of light.” 2 Corinthians 11:14.

The harmless looking elderly couple are the leaders of a satanic cult whose members are overwhelmingly old and harmless looking but who are evil. The character of Rosemary’s husband Guy (brilliantly played by Greek American actor John Cassavetes) enters into a pact with the Devil. The film has no violence or blood but it is very scary and disturbing.

It is however Christian because it is a warning about people who lose their faith in God. Horror films like this serve as a warning that evil and the Devil exist. Furthermore, it demonstrates that evil can appear in many forms and is able to disguise itself quite effectively. We have the examples of Nazi war criminals and serial killers who appeared outwardly to be nice and normal to their families and associates but inwardly they were motivated by evil.

Finally, in this brief introduction to horror cinema there is “The Exorcist”. A theologically powerful film in which Roman Catholic Priests participated. The story centers around a twelve year old girl living with her divorced mother. Regan gradually begins to change. Her mother takes her to Doctors and Psychiatrists who cannot help her.

The Mother, either an agnostic or atheist becomes convinced that her daughter is demonically possessed. She turns to Christian priests to help her. The moral in the film is that some problems are spiritual and cannot be resolved by Doctors or Psychiatrists. God is the hero in this film who defeats the Devil.

This is another film which warns us about the reality of Evil and about the Devil. The film has one or two scenes that make me uncomfortable and there is one scene in particular I would have liked to see removed.

Still, the film is very powerful and dramatic. It is also faithfully based on scripture The Gospels have several accounts of Jesus exorcising people who were possessed. The Devil is depicted here as being repulsive and hideous. He is obscene, vulgar, and disgusting. He is as Jesus tells us in the Gospels, “the father of all lies”.

The Exorcist, Frankenstein, and Dracula really awakened my interest in matters of faith and theology. The Exorcist was based on the original novel by William Peter Blatty who is a devout Roman Catholic. It is not for everyone as many people will be severely disturbed by it.

It is however a theologically important film. Horror films and stories take the subject of evil and faith very seriously.

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cinema

Jaws (1975)

This summer marks the forty fifth anniversary of “Jaws”, the classic thriller directed by Stephen Spielberg and starring Roy Scheider, Robert Shaw, and Richard Dreyfuss. This is the best summer movie of all time. The good news right now is much of America has reopened-Churches, restaurants, malls, and bookstores are back up and running. The bad news remains that movie theaters are not up and running and it may take some time for cinemas to return.

In any case, it is time to return to doing some movie reviews for this blog. “Jaws” is based on the novel by Peter Benchley. The film established Stephen Spielberg as a great director of American cinema.

The story is set on the fictional island of Amity. A shark has arrived and begins devouring swimmers. The Chief of Police named Martin Brody (Scheider) is retired from the NYPD and left New York at a time when New York was a mess during the 1970’s. Much like New York has become once again under its current Mayor.

The Chief seeks to close the beaches and is prevented from doing so by the Mayor and the Town Council who are concerned about the economic problems that would occur in the event that tourists stopped coming to Amity. The Mayor insists on keeping the beaches open.

The Chief is subsequently joined by Matt Hooper (Dreyfuss) from an institute that studies sharks. The two of them attempt to warn the Mayor to close the beaches but to no avail. The Fourth of July weekend results in disaster. Having no choice in the matter, the Mayor agrees to hire a contractor (Shaw) who proceeds with the Chief and Hooper to seek out and destroy the shark.

It is a very compelling, dramatic, suspenseful, and scary film. The film holds up well after forty five years. I was fortunate to attend a screening at a local art house theater five years ago on the fortieth anniversary of its release. A woman sitting next to me with her son left the theater because the film was too much for the kid.

A great film. Robert Shaw stands out as the best character who has a history with sharks. His speech recounting that history is superb acting and adds to the suspense and the terror that sharks can inflict on humans.

A cinematic masterpiece and the best summer movie ever.

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cinema

A Touch of Spice and films with Constantinople

Film Review “A Touch of Spice”

Considering the international attention on Hagia Sophia and my recent review of Elia Kazan’s masterpiece “America America” I have concluded the time is right for a review of a great Greek film. This film, “A Touch of Spice” was made in Greece and Turkey and was shown in the United States in 2005. The film is about a Greek family in Constantinople that were impacted by the expulsions of 1964.

The film tells the story of a boy and his parents who are forced to leave Constantinople by the Turkish authorities. At the time many Greeks with Hellenic citizenship were expelled from Turkey, and since they were married to Greeks native to Constantinople thousands of families were forced to leave their homes and their beloved city. Human Rights Watch in its 1992 publication “Denying Human Rights and ethnic identity the Greeks of Turkey” stated that 30,000 Greeks left Turkey after the initial deportations.

The film has wonderful Greek and Turkish actors and is filmed on location in Greece and Turkey. And yes there is a wonderful scene that includes Hagia Sophia. In addition, there is a great scene in which the boy lights a candle in a Greek Church in Constantinople.

It is a very sentimental and nostalgic film with elements of comedy. I will refrain from ruining the plot and simply recommend this film to be added to anyone’s Greek film collection with “America America”.

Here is a list I am compiling of films that include the city of Constantinople and/or Hagia Sophia. I will probably be adding to the list.

America America 1963

Topkapi 1964

Midnight Express 1978

A Touch Of Spice 2005

Argo 2012

Murder on the Orient Express 2017

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cinema

America America (1963)

Film Review

“America America” was Directed by Greek American Director Elia Kazan. Kazan was a legend who directed Marlon Brando in “On the Waterfront” and was an influence on Martin Scorcese. “America America” was nominated for several Oscars and Golden Globe Awards. The Oscar nominations were for Best Picture, Director, and Screenplay. It took one Oscar for Best Art Direction.

Kazan won a Golden Globe for Best Director and the star of the film, Stathis Giallelis won a Golden Globe for Most Promising Newcomer. With summer here, there will be more posts on Movies, especially since the theaters are still closed.

“America America” is the greatest Greek themed movie that Hollywood has ever created. Most people have seen “My Big Fat Greek Wedding”. While that movie had humor and was embraced by the public it was not a film about the Greek experience and unfortunately (through no fault of its makers) it is the film that most people associate with Greeks.

“America America” is not only a Greek themed film. It is an American film through and through. It is about the land of opportunity and the immigrant experience.

The film is a fictionalized version of the journey of Kazan’s Uncle who was born in Anatolia. The film is set in the year 1896 and the story centers around a Greek family living under worsening political conditions under the Ottoman Turks. The main character is Stavros (played by Giallelis) the oldest son in the family.

Stavros is friends with an Armenian named Vartan. The film is beautifully shot (much of it was filmed in Greece and Turkey) and the second class status of Christians under the Turks is accurately depicted. The film takes place during the period when there was unrest as the Ottomans were becoming increasingly brutal toward the Armenian Christians. Benny Morris and Dror Ze’evi who published last year’s masterpiece, “The Thirty Year Genocide” about the Armenian, Greek, and Assyrian Genocide dated the beginning of the mass slaughter to the year 1894.

The humiliation of Christians is expressed by the father of Stavros who tells his son “I keep my honor inside where it is safe”. This after a scene where the old man had to grovel in humiliation before a Turkish official. The film includes a scene where Stavros and Vartan are humiliated by Turkish officials while going about their business.

There is also a difficult scene to watch in which Armenians are massacred by the Turks. The film successfully captures the political atmosphere that surrounds the plight of Stavros and his family. Isaac, the father of Stavros is portrayed by Harry Davis who is excellent in the role.

My favorite scene in the movie is that which depicts family life. Isaac calls together his wife and children for prayer. He leads the family in prayer and gets irritated when his wife speaks when she should be praying. During the difficult centuries of Ottoman rule (referred to as Turkocratia by the Greeks) the Greeks survived because of the Greek Orthodox Church and the institution of the family.

The brutality and humiliation of living under Ottoman rule ended at the doors of the house. Even Isaac who had no choice but to accept humiliation at the hands of the Turks was a strong and good father who watched out for his family. In one scene, Stavros kissed the hand of his father.

The scene where the family is praying together has great significance because today the family in Greece has been largely decimated. Secularism, along with social media and other intrusions have done enormous harm to the institution of the family. Under the Ottomans, even the authority of the Turks had its limits. The home was a genuine sanctuary from outside oppression. The Greeks then were able to maintain their Orthodox faith and their national consciousness, something that has become less possible today as a result of the intrusions of modern technology and other sources.

Isaac is intent on sending Stavros on a mission. He is going to send him to live with his brother in Constantinople. This is the first step in the family’s efforts to make their way to America. Having already divulged too much for anyone who has not seen the film, I must stop any further discussion of the plot.

Stavros has read about America. He already loves America and desires to be an American. This is a brilliant immigrant movie and this is the film that should be embraced by the Greek American community as it depicts both the Greek national experience and America as a land of opportunity.

“America America” was released on VHS in 1994. It was released on DVD in 2011. Every Greek home should have a copy.

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cinema

Star Wars (1977)

Film Review

PROLOGUE

The following review mentions only the original Star Wars film and makes no direct mention of ANY of the other films in the series and makes references only to the original film and the context of the times in which it appeared and its subsequent evolution over the decades.

In a previous post “The Absence of the Cinematic Experience”, I wrote about movies and I mentioned that I would write about Star Wars as I listed it as the best movie ever made. This is also the right time I think to break from politics as I spent a good deal of time writing many political posts. What can be said about Star Wars that has not already been written?

I saw Star Wars for the first time when I was seven years old in a movie theatre that no longer exists. I had already had a knowledge of the idea and the characters. I became a Star Wars fan at school and read the comic versions before I had seen the movie.

Those were the days when there were no DVD’s and blu rays. Home video was still a long way off. Even betamax had still not arrived. Forget anything like Netflix. Cable television was still something that would arrive later.

If you wanted to see a movie you had to go the theatre to see it. Then you would have to wait for it to show up on network television, or local television channels. Star Wars was so successful that having been released in 1977, it would not be on aired on cable television until 1983, and network television in 1984.

The film would be rereleased in the theaters from time to time, so if you wanted to see it you had to wait for it to return to the theater. This was why the infamous “Star Wars holiday special” was aired in 1979. More on that below.

Whenever it returned to the theater, it was always a fun experience. A great time always.

The plot of the film centers around Luke Skywalker, a farm boy who lives on the planet tatooine. He is a dreamer and an idealist. He lives with his Aunt and Uncle. Well, everybody knows the story,

It is a great movie that has aged very well. It is very well written and directed by George Lucas. The cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guiness, Peter Mayhew, Anthony Daniels, Kenny Baker, and Peter Cushing. The movie has plot and adventure.

The movie has drama. From the beginning of the film when we see the Star Destroyer up to the end with the ceremony at the throne room, we have seen a true adventure. Believe me, you could not see this movie enough times in the late 1970’s when it came back to the theater.

As mentioned above, “The Star Wars Holiday Special” was shown during the holiday season of 1979. I still remember watching this but I always remembered it as being shown for thanksgiving, and not Christmas as many online reviews have stated. If you were a Star Wars fan you would watch anything Star Wars even crap like the Holiday Special.

I remember being disappointed that the main cast from the film appeared in only a few minutes of the special. I always remembered this special and the fact that the cast appeared only briefly. In 1999, I came across a VHS copy of somebody’s old tape in a used video and CD store.

I knew what it was, I remembered seeing it but did not actually remember much else. I bought it, took it home, and watched it. Yeah, the real cast was only briefly shown and the rest was this really stupid variety show typical of the 1970’s. The only thing that made this interesting was the appearance of Boba Fett. I had forgotten that. I still remember the TV commercial advertising the Boba Fett action figure in the run up to the “Empire Strikes Back”. I thought that was the first appearance of Boba Fett.

The Holiday Special was put together by morons who apparently never took the time to actually go see “Star Wars”. Why bring in other celebrities for this thing? They had the cast of the film which is why this thing is historically important and is in the collection of Star Wars fans.

If they could not commit the cast to more than a few minutes they could have made a thirty minute (with commercials twenty two minutes) special with a plot involving stormtroopers and a guy to wear a Darth Vader mask. It would not have had to be as good as the film (no one would have expected it to) but it would have been watchable.

In any case, Star Wars was a unique phenomenon. At the time, one assumed that Luke Skywalker and Princess Leia were going to become a couple (the subsequent revelation that Luke and Leia were brother and sister began to ruin the whole story.) That is how it should have been played over the long term.

Han Solo was the best character in my opinion. Total jerk but the guy who does the right thing in the end. And quite frankly, he is the real hero of the movie. If Han Solo did not return and bump off Darth Vader’s tie fighter when the latter was going to blow away Luke’s X wing fighter, the death star would not have been blown up and the rebel base at Yaavin might have been completely destroyed.

Obi Wan Kenobi is a superb character. A mixture of priest and warrior. The Jedi remind me so much of the Emperors of the Byzantine Empire who were honorary priests. Obi Wan is a hermit living a monastic life in complete solitude. His mission is to wait for the day when Luke will be ready to train to become a jedi and to teach him the ways of the force, a mystical energy.

The story begins when a rebel ship is sucked up by the imperial star destroyer and the rebels are annihilated by the stormtroopers who over power them when they enter the rebel ship. Princess Leia puts plans with the details of the Empire’s Death Star into R2 D2. The droid along with c3po are put in an escape pod and escape where they fall to the planet tattoonie.

The two droids subsequently are captured by Jawas, a small group of hooded aliens who resell captured droids. The two droids are purchased by Luke’s Uncle Owen. R2D2 not only carries the Death Star plans with him, but a message from Princess Leia for Obi Wan Kenobi. R2D2 sneaks out to find the retired Jedi master who lives on Tattooine.

The moment arrives when Obi wan saves luke after the latter has been attacked by the sand people. Obi wan sees the message that Princess Leia has put in R2D2 and comes out of retirement. When Luke finds his Aunt and Uncle have been killed by stormtroopers looking for the droids, he embarks with Obi Wan to Mos Eisley Space port where they meet up with Han Solo and Chewbacca.

The six of them escape the stormtroopers after a shoot out and subsequently find that the planet Alderaan (where Obi Wan is supposed to meet Princess Leia’s father) has been blown up by the Empire’s Death Star. The Millenium Falcon (the ship they are traveling on gets sucked into the Death Star by the tractor beam.

The group gets split up and Han, Luke, and Chewbacca rescue Princess Leia. They eventually make their way back to the ship except they are now witnessing a dual between Obi Wan and Darth Vader.

The lightsaber dual with Darth Vader is brief but highly dramatic. The expression on Obi Wan’s face when he sees Vader is great acting. Alec Guinness played this part brilliantly. Obi Wan is a man of faith above all and like the early Christians under the Romans allows himself to be killed in anticipation of eternal life.

Vader slays him and then finds his body is gone. Obi wan had faith in resurrection like Christians do. After a space battle in the falcon and the heroes have escaped they make their way to the rebel base on Yavin. The rebels will dissect the death star plans that R2 D2 has carried and they launch an offensive against the Death Star.

Great action scenes and outstanding special effects. When Luke is the last fighter left fighting the Death Star he hears the voice of Obi Wan, He turns off the computer. Again, the power of faith over reason and technology.

At the last minute before Darth Vader is about to finish off Luke, the Millenium Falcon is back and Han Solo knocks off Vader. Han Solo had taken off with his reward money after refusing to participate in the fight against the Death Star. His heroic action redeems him and makes him a hero.

Luke takes the final shot and blows up the Death Star. The final scene of the throne room where Han, Luke, and Chewbacca get their medals is great drama.

The film is a masterpiece and represents all that is good about movies.

As noted above, Star Wars made its initial premiere on cable television in 1983, and network television in 1984. I am not sure when Star Wars was first released on home video.

Like any other film, Star Wars (and its sequals) was released on betamax, laser disc, and VHS formats. The last version of the original theatrical cut was released in the fall of 1995. I always found it strange that these releases were advertised as the original “one last time”.

I am a classic fan of Star Wars having been there from the beginning but I was never a nerd or a fanatic. I never understood what the “one last time” was supposed to mean”. In 1997, on the twentieth anniversary of the release of Star Wars, George Lucas rereleased the film and its sequals as “special editions” featuring both restored footage and newly filmed footage that were inserted into the films.

Further changes were made when Star Wars was released on DVD for the first time in 2004, and yet even further changes were made when Star Wars was released on blu ray for the first time in 2011. As it is the original theatrical versions have become unavailable.

It is true that the theatrical versions of the film were released in 2006 on DVD but George Lucas basically cheated the fans with these releases. At the time, video stores advertised that the original theatrical version of Star Wars were going to be released on DVD. This was misleading.

The final product was a rerelease of the 2004 special editions in which the theatrical versions were included as bonuses. The transfer was garbage as it was an outdated transfer from 1993 laser disks. The quality of the picture and sound was terrible and the film does not fit on widescreen televisions.

No other artist hates his fans as much as George Lucas does. All that Star Wars fans want (especially those of us who were there from the beginning) is a blu ray high definition transfer of the original film and its sequals. Lucas could have had as many special editions out there as possible, but he could have at least had the original theatrical versions available for film afficionados.

Many Directors have used the technology of DVD and blu ray to release several versions of their films. Some Directors have to cut their films for length of time, or to avoid a rated X or NC-17 because of too much violence or sex. The availability of technology enabled them to bring back their original films but they did NOT eradicate the original theatrical versions.

Star Wars has to be the only cinematic masterpiece that is not available to film fans. Yes, the various special editions are available but that is not quite the same thing. Considering the phenomenal success of Star Wars, one would think it would be available forever.

Without the availability of the original theatrical cut(s) Star Wars no longer exists for viewing.

Alas, Star Wars is a matter of nostalgia.

Categories
cinema

The absence of the Cinematic experience

One of the crucial freedoms lost during the coronavirus epidemic has been going to the movies. Like bookstores (which I will write about in another post), cinemas are a crucial and important part of a healthy democracy and society. Films are not only great art but can be very enlightening, educational, and inspirational. Sitting in a theatre and watching a film on the big screen in the dark is a great experience.

The cinematic experience varies depending on the type of theater one attends. Most common these days are the megaplexes which have huge screens and great sound. On occasion one can pay an extra $10 to have dinner in a special section of the theater and be served by a waiter or waitress. Best experience I have had while eating dinner at a theatre was seeing Quentin Tarantino’s “Inglourious Basterds”.

Three other great cinematic experiences. In 1980, I saw “The Empire Strikes Back” on the third day of its release. What a line that was at the height of Star Wars mania! Waited for a long time to get in. It was so hot that some fat guy actually fainted and fell on some people.

In 2015, I went to see “Jaws” on the fortieth anniversary of its release at the local community theatre. I got the last ticket that was available in what was a packed house. The film works after forty years. There was a woman sitting next to me with her son who left because the kid apparently got scared. Still effective after forty years.

Not long after seeing “Jaws” I went back to the same community theatre on halloween night to see a classic double feature. Alfred Hitchcock’s “Psycho”(1960) followed by Tobe Hooper’s “The Texas Chainsaw Massacre” (1974). Both are fictional stories based on the same real life serial killer. In between films there was an expert on serial killers who gave a lecture. When “Texas Chainsaw Massacre” was on, several women got up and walked out of the theatre.

The film is not as sleazy as it sounds. There is no blood in the film but it is a psychologically disturbing film about a family of cannibals.

Best film of all time is in my opinion the original Star Wars (1977). This is the film that made me love movies. An entertaining film that incorporates elements of history, Christianity, and politics. It is a classic story of good vs evil. “Jaws” (1975) is another classic and is the first film I remember seeing at a theatre. “Raiders of the Lost Ark” (1981) is a great film that is a mixture of both “Star Wars” and “Jaws” as it was made by Stephen Spielberg and George Lucas.

I am a big fan of horror cinema and so the greatest film in that genre is “The Exorcist” (1973). I originally watched the cut version on television in the 1980s, then the theatrical version on VHS, DVD, and Blu Ray. I have seen the director’s cut of “the Exorcist” on the big screen once when it was rereleased in 2000. Aside from being a horror masterpiece, it is a great theological film.

One can see a film dozens of times on television, satellite, VHS, DVD, and blu ray but never quite get the theatrical experience. In recent years, the megaplexes have brought old films back to the big screen to celebrate the anniversaries of classics. I saw “Goodfellas” (1990) and “Reservoir Dogs” (1992) on the big screen for the first time in the local community theatre. Having watched these films numerous times at home on VHS, DVD, and blu ray it was great to see them on the big screen.

Seeing “Goodfellas” in a packed theatre was tremendously fun as everybody knows the classic lines. “Goodfellas” was nominated for best picture of 1990 but lost to “Dances with Wolves”. The only thing that “Dances with Wolves” will ever be remembered for is that it beat “Goodfellas”.

“Goodfellas” is the greatest mob movie ever made without question. Other classic films I have been fortunate enough to see on the big screen after having seen them on VHS and DVD include “Casablanca” and “The Godfather”. Always good seeing the classics with an audience.

Two classic films I saw on the big screen for the first time were “The Sound of Music” and “Gone with the Wind”. I generally hate musicals but “Sound of Music” was a pro Christian and anti Nazi film which was really excellent. I saw this in 2015 at a special screening on the fiftieth anniversary of its release. In 2014, I saw “Gone With The Wind” for the first time on the big screen on the seventy fifth anniversary of its initial release.

I may write film reviews on this blog in the future but for now I will simply list the best films of all time in their categories. As I am a Greek American, I will start by listing the best Greek themed movie of all time.

Best Film with a Greek theme of all time,

Elia Kazan’s America America (1963). Nominated for several Oscars including best picture and best director. The film is a semi biographical account of the directors uncle who left Ottoman Anatolia for America. The director himself is a Greek who was born in Constantinople in 1910.

Forget garbage like “My Big Fat Greek Wedding” (I may have something to say about that piece of shit later). This is the best English language film ever made about the Greek experience. It shows the lives of Greek and Armenian Christians in Anatolia in 1896. And it shows the importance of faith. One of the best scenes in the film is the Greek father demanding silence as his family gathers to pray together in their home. Full review will be coming soon.

Best Horror Film of all time,

As mentioned above, William Friedkin’s “The Exorcist”. Runner up in this category is George Romero’s “Night of the Living Dead” (1968).

Best political film of all time,

Gillo Pontecorvo’s “The Battle of Algiers”(1966). Classic work on the Algerian war of independence. Takes a look at the brutality of French colonialism.

Best Mob film of all time,

As mentioned above, Martin Scorcese’s “Goodfellas” (1990). Scorcese is also the greatest Director of all time. Runner up in this category is Francis Ford Coppola’s “The Godfather” (1972).

Best historical fiction film of all time,

Quentin Tarantino’s “Inglourious Basterds” (2009). With everything we know about Auschwitz, who would not have wanted Nazis to be dealt with in the manner as the “Basterds” deal with them? Runner up is Quentin Tarantino’s “Django Unchained” (2012).

Best Film of all time,

Star Wars (1977) (To be reviewed later).

I have never written about movies before but decided to write about movies and the movie experience on the grounds that under the present circumstances going to the movies is no longer possible. You never miss something until its gone.

Going to the movies is not essential but it is something that I found enjoyable. As much as I like blu ray and widescreen televisions the experience is simply not the same. It will be a tremendous loss if movie theaters do not come back.

The coronavirus is a horrible disease. Without the arrogance and apathy of a certain totalitarian government, it is quite possible that the disease could have been contained. Therefore, there is definitely a political connotation to what has happened.

A few years ago, there was an excellent book “The collaboration” by Ben Urwand who wrote about failed attempts in Hollywood to make a film exposing Hitler. Hollywood depended on the German market to show its films to such an extent that it suppressed efforts to make serious films about Hitler. It was not until after war in Europe broke out that Hollywood started making anti Nazi films.

In 1933, efforts were made to make a film about the Armenian Genocide. Like the Germans, the Turks exerted pressure to enforce a policy of censorship and to deny oppressed people the ability to tell their stories. Oppressive governments fear Cinema much more than they do books.

As the world begins to slowly reopen, one can only hope that movie theaters will be back. Certainly, life will never be the same without them. Technically, movie theaters are not essential in the same way as pharmacies or supermarkets, but in terms of democracy and civilization they are most certainly essential.

Political, historical, and religious films make an impact and stir debate when they open in cinemas. Such an impact will be non existent if films are to be released only on DVD, blu ray, or netflix. For example, Mel Gibson’s “Passion of the Christ” stirred up a good deal of discussion on matters of faith when it was released in cinemas. Martin Scorcese’s movies often deal with spiritual themes that have to do with individuals who become corrupt and pay a heavy price for their sins.

Oliver Stone has produced a number of controversial but necessary films of a social and political nature. This is art. Art is best shown on the big screen.

There is no adequate substitution for the cinematic experience.