Film Review
The Irishman Directed By Martin Scorcese (2019)
Martin Scorcese’s “The Irishman” arrived on DVD and blu ray last week. I saw this film in November 2019 when it was released theatrically in limited release. It played at my local theater which screens art films. “The Irishman” was financed by Netflix and aired on Netflix not long after its theatrical release.
As an avid cinephile I make it a point to see films for the first time in the theater. Widescreen televisions and home theater are great but they can never substitute for the theatrical experience. Going to the movies is always a good time but there are filmgoing experiences which are better than others and then they are great.
“The Irishman” was my last great cinematic experience before the damn coronavirus set in. I saw movies after that and some were good but they do not compare with the experience I had when seeing “The Irishman”. This was a special occasion as it was the last hurrah for the legendary Scorcese and his longtime actors Robert Deniro, Joe Pesci, and Harvey Keitel. In addition, Al Pacino was in this film as Jimmy Hoffa.
“The Irishman” could be known as the last great mob film. There have been many great mob films such as the first two “Godfather” films, “Donnie Brasco” and “A Bronx Tale” but Scorcese will forever be identified as the director of the most realistic and intense mob films. “The Irishman” finishes off Scorcese’s mob films which began with “Mean Streets” in 1973 and include “Raging Bull”, “Goodfellas”, “Casino”, “Gangs of New York”, and “The Departed”.
“Mean Streets” starred Robert Deniro and Harvey Keitel. Deniro reappeared in “Raging Bull” and Joe Pesci won a best supporting actor nomination for his role in that film. It was “Goodfellas” that became the greatest mob film of all time and won Joe Pesci a best supporting actor Oscar. “Casino” was a great film as well.
“The Irishman” was based on a book whose facts are disputed by many. That is beyond the point. “The Irishman” is still a powerful and well directed film that focuses on the Mafia at the height of its power in America. The film runs at three and a half hours and the theatrical experience was absolutely riveting.
Scorcese’s films are not only entertaining, they are educational. No matter how many mob movies he directs there is always something more to learn about the mob. Like his previous films, Scorcese crams information into his films and there is never a dull moment.
The film depicts some of the most important events in the history of the American Mafia which makes it a part of American history. The acting is superb and both Al Pacino and Joe Pesci were nominated for best supporting actor at the Oscars. Scorcese has an almost theological interpretation of the events he is educating his viewers on.
Previous films such as “Goodfellas” and “Wolf of Wall Street” had to do with main characters who sold their souls and were to pay a price. At no point does the violence in “Goodfellas” or the debauchery in “Wolf of Wall Street” look glamorous. “Raging Bull” was largely about the redemption of its main character. Scorcese makes films about sinners and the price to be paid for selling ones soul.
Many of his films have Christian imagery. “Mean Streets” is a perfect example where the character of Charlie (played by Harvey Keitel) aspires to join the Mafia while trying to remain a faithful Catholic. In “The Irishman” the main character of Frank Sheeran having lost his family as a result of his life choices and having survived the demise of his Mafia bosses and associates spends the final period of his life alone.
He confesses his sins to a priest and there is religious imagery throughout the film. Classic Scorcese. Scorcese makes moral films and in many ways his films are very Christian. He is a masterful director and story teller.
Martin Scorcese did not get the honors he deserved in 1990. “Goodfellas” should have been best picture for that year, and Scorcese should have been best Director. Which brings us to the Oscars for the best films of 2020.
The best film of the the year was unbelievably the Korean film “Parasite”. No disrespect intended as “Parasite” was a good film but not the best movie of the year. “The Irishman” should have been best picture and Scorcese should have been best Director.
In any case, “The Irishman” was a wonderful trip down memory lane. A great theatrical experience which brought back fond memories of Scorcese’s earlier films. “The Irishman” is probably the farewell of Scorcese’s mob films and the end of the historic collaboration with Robert Deniro and Joe Pesci. A great film that evolved from the earlier mob classics but never became repetitive or boring.
“Mean Streets” began with low level mob associates on the fringes. “Goodfellas” was about a crew under a capo played by Paul Sorvino and was a vivid description and recollection of mob life. “Raging Bull” was the mob in boxing and “Casino” was the mob in Vegas. Whereas “Goodfellas” looked at the life of an associate who was part of a crew under a powerful capo, “Casino” showed the power of bosses who ruled entire crime families and who controlled Vegas through the activities of soldiers and associates.
“The Irishman” focuses on bosses played by Joe Pesci and Harvey Keitel and their relationship with Teamsters boss Jimmy Hoffa. There are numerous other bosses depicted throughout the film and a great many historical events are depicted including the complicated relationship between the mob and the Kennedys.
“The Irishman” is a masterpiece from the master himself. A glorious farewell to the genre.